Karri Loop House
Margaret River, Australia - 2013 Photography: First three photos from Giulio Aristide - Peter Bennetts
is an architectural office based in Rotterdam, Netherlands and Milan, Italy.
The “Parco della Reggia di Rivalta” although its empty appearance, is a ground that has been occupied by several functions over time: it has been administrated by several owners, and it has gone through both splendor and decay. In the public imaginary, the park is associated with the garden realized in the first half of the 18th century –now lost- where the reference to Versailles Garden was sharp and recognizable. Yet, the site has been witnessing a number of histories and not just one. The plurality of the past traces become main ingredients of the design, a palimpsest which doesn’t give priority only to the historical garden, but also refers to the different epochs, including its rural past and its current use as a public park.
A perimetral boulevard hosts a number of ‘design intensities’ while assuring a complete accessibility of the site. The boulevard creates a frame that defines a inner rural park: agricultural land is here rendered accessible by diagonal paths, that refer to both the enlighten landscape design principles as much as to the agricultural pattern of the region.
Parco della Reggia di Rivalta
Reggio Emilia, Italy - 2018
Into the forest
Mantova, Italy - 2018
Openfabric has been selected to design the public spaces of Mantova city center in occasion of the first World Forum on Urban Forest (WFUF 2018) by FAO. The aim of the design is to engage with the two different levels of the forum: the academic one and the broad public. The project wants to critically represent a number of forest typologies rising both awareness on the importance of nature in urban environments and on the dramatic effects of climate change. Through the tools of ambiguity, juxtaposition, aesthetics and discomfort, Into the Forest aims to challenge the perception of nature and aspires to be adopted by cities, globally. Fallen Forest “Fallen Forest” is a memorial for the millions of trees victims of the cyclone that hit the North-Eastern regions of Italy on November 2nd, 2018. The installation confronts the phenomena of climate tropicalisation and its catastrophic effects on the environment, by recreating a portion of post-apocalyptic landscape. Climate change is real, action is urgent. Mediterranean Forest The Mediterranean sclerophyllous evergreen oak forest shapes the character of Mediterranean landscapes with a wide variety of formations and structures, according to climate, soil, and anthropogenic conditions. The dominant tree species are Quercus ilex, Quercus rotundifolia, Quercus suber, Laurus nobilis and Arbutus unedo, the latter two having rather often a shrub growth form. The evergreen oak woodlands have been a strategic resource along the history of human societies in the region, providing direct and indirect goods and benefits, as fuelwood, cork, food and fodder, timber, shelter. They range from sea level up to 800-900 a.s.l. and the tree and shrub species are generally very well drought- and fire-adapted. Native Forest The “Native Forest” recalls a fragment of the ancient forest formations widely covering the Po Valley (Pianura Padana) before the massive transformation to agriculture and urban land cover. In fact large part of Northern Italy was very likely covered by lowlands forests dominated by Quercus spp. and Carpinus betulus, referring to Sub- Atlantic and medio-European oak or oak-hornbeam forests of the Carpinion betuli, as classified by the European manual of habitats. The forests currently survive only in few, small patches, protected as nature reserves. The lowlands forests, although almost disappeared, should be considered for their strategic environmental value, as an intangible heritage of natural and cultural capital of local communities.
Amsterdam - 2017 - In collaboration with: Dmau Team: Francesco Garofalo, Olivier Sobels, Jacopo Gennari Feslikenian
Het Breed is a modernist neighbourhood defined by rational residential blocks, 5 stories with ‘streets in the sky’ in Amsterdam North designed by the architect Frans Van Gool in 1963. Our proposal ‘Gridgrounds’ creates an elongated public square of 88m x 17m, stretched across the central space so all paths converge here defining a new center for the neighbourhood. The asphalt square is based upon the original neighbourhood grid and the grid is made visual and tangible through the white marking lines running through the space. At the points of the grid we placed different play elements in-spired by the modernist playgrounds of Aldo van Eyck in Amsterdam. To create coherence all objects are painted Breedveld orange and blue, two colours that have been used in a recent renovation of the adjacent buildings. Through the cohesion of the colour, each object achieves a new identity, independent works that collectively form an open-air museum of play elements. The austerity and monotony of the context is broken by the new playscape while employing the same ele-ments and the layout of the Van Gool plan. The square is framed by the grid of plane trees and grass and planting along the sides, the rectilinear form is punctured at three points by two green circles (active play space developed with local schools and pas-sive green space that acts as a sustainable drainage point) and a rectangular multifunctional sports court. Given the very limited budget we chose to focus on primarily creating a good functioning public space, a meeting point for all residents at the centre of the neighbourhood. The careful placement of the elements creates different gathering points for groups big or small. Our material palette takes inspiration from road infrastructure, considerably cheaper than usual open space design materials, asphalt surfaces, white road marking lines and “traffic orange” (Ral 2009) and “traffic blue” (Ral 5017) colours. Colourful landmarks make the space identifiable from a distance, an important factor in children’s spatial awareness.